Interior design is today a broad field of skill sets, but the part we invariably relate to the design profession is the interior feel of a space which is largely influenced by the materials we see, walk on and touch. It’s like an artist’s brush that has been stroked across the interior surfaces creating a mixture of colors, textures and visual excitement. While the creativity comes from the designer, the direction is once again cast by the goals and objectives set by the client. The interior designer transforms the desired effects and feelings to be evoked into a palette of materials that together speak the language of the room to those who visit and experience the space. Continue reading
Monthly Archives: April 2012
While thinking of the design being something that continues on I could not help but flash on the classic ‘60’s hit, its syncopated driving bass line and closing lyric “and the beat goes on.” The 1967 pop hit is none other than “The Beat Goes On” written by Sonny Bono and sung by Sonny & Cher. Perhaps I’m giving up my generational age but the driving force of a project is the design and all the reasons it is what it is become the lyrics and legacy of the building as it lives on.
We’re into the final design phase of the Visitor Center. We have had preliminary design review meetings with the client and we have also had time to reflect on how well the design is achieving the project goals, LEED objectives and that the aesthetic character is right. The goals and objectives are more a matter of checking things off the list, but aesthetics are very subjective and we rely on an artistic maturity and the feeling that we created something special for the client. We get a thumbs-up from the Chickasaw Nation; that feels good. Continue reading
When does it begin; when does it end? Design has its beginnings in the early dreams and vision of the client. Formalized design activity comes into play when the design professional engages in the project. These formal stages of preliminary design and final design initialize and refine the big idea respectively. While preliminary design creates the first generation of site and plan organization, final design investigates and resolves how the building components begin to integrate with one another. Final design sets the stage and direction for how the materials will blend and transition throughout the building. The pieces and parts of the architecture and engineering systems come together to form a composition of assemblies. These include floor assemblies, wall assemblies, ceiling assemblies and roof assemblies. However, the design effort does not end with final design. Continue reading
The architectural character and palette of materials were outlined in the previous post on the “trail to creativity.” The materials must now be orchestrated into an expression of form that creates visual and physical texture. The designer is challenged with how those elements integrate with each other and flow from one the next to create architectural interest and character. It is all too easy to only think of the site and floor plan as flat planes. While the site and floor plans are represented as 2 dimensional illustrations, the challenge is to be thinking of the site and building as a 3 dimensional elements concurrent with working out the site grades, views, circulation, building access, building space needs, groupings, adjacencies and flow.
The integration of the architecture and engineering systems cannot be an afterthought to design; something left to chance. The results of this approach can be disastrous. So as the site and plans evolve, the designer must be thinking of how engineering systems are woven into the architectural solution. At times the engineering systems themselves become exposed expressions of the architecture. Continue reading